Thursday, February 22, 2018

James Garth - "I Thank Korea for Her Books"


“I thank Korea for her books” James Scarth Gale, Korean Literature in Hanmun, and Allo-metropolitan Missionary Orientalism

Lecturer: Professor Ross King
Date: Tuesday, October 17, 2017 - 7:30pm to 9:00pm
Venue: Second floor Residents’ Lounge, Somerset Palace, Gwanghwamun
             (near Anguk Station, across street from Japanese Embassy)

A Royal Asiatic Society Korea Branch bi-monthly lecture (www.raskb.com for more lectures)


In this lecture, I give an overview of my forthcoming book by the same title. Based largely on the James Scarth Gale papers held by the Fisher Rare Book Library (University of Toronto), this project examines and contextualizes James Scarth Gale’s forty-year career as a missionary scholar in Korea (1888-1927) and argues that Gale is a foundational but largely forgotten and underappreciated figure in the history of modern Korean Studies, particularly as concerns traditional Korean literary culture and literary history—topics that remain underexplored in English-language scholarship to this day. The Gale Papers force a reevaluation of our image of Gale and his legacy: from that of missionary, lexicographer, historian, and occasional translator of premodern fiction, to dedicated bibliophile, and champion, prolific translator and interpreter of Korean literature and literary culture in Literary Sinitic.

The project approaches Gale’s scholarly legacy by focusing on his Korean bibliomania, and is divided into two parts. Part One analyzes Gale’s collecting of old Korean books, his study and translation of them in collaboration with his Korean ‘pundits’, and the relationship of his literary and scholarly work to broader questions of ‘Orientalism’ in general and missionary Orientalism, in particular. 
One key argument is that for Gale, ‘Korean literature’ existed almost exclusively in the cosmopolitan code of Literary Sinitic (‘Classical Chinese’); modern Korean literature was barely getting off the ground in the 1920s when Gale retired, and he was dismissive of vernacular literary production, both premodern and modern.  
A second key argument is that Gale strove through all of his activities to demonstrate that Korea was a ‘civilized nation’ and a ‘nation of scholars and books’, whose deep historical engagement with Chinese civilization and thought had prepared it for Christianity and its one Great Book.  
A third key argument is that Gale’s literary and bibliophilic project amounted to a major intervention into defining—in a contested and transnational intellectual field in colonial Korea in the 19teens and 1920s—the premodern Korean literary tradition and canon; a full accounting of his book collecting and translation projects sheds new light on the process by which the modern notion of the ‘Korean Classics’ was constructed.  
A final question the book poses concerns the relative oblivion into which Gale’s work fell: why is he largely forgotten today, even in Korea, and why was the bulk of his work never published?
Ross King earned his BA in Linguistics and Political Science from Yale College and his MA and PhD from Harvard in Linguistics. Currently he serves as Professor of Korean and Head of Department in the Department of Asian Studies at the University of British Columbia in Vancouver, Canada. His main research interests are Korean historical linguistics, Korean dialectology (esp. the dialect(s) preserved by the ethnic Korean minority in Russia and the former USSR), the history of Korean linguistics (including the history of Korean linguistic thought in Korea and Korean linguistic and script nationalism), and the history of language, writing and literary culture in the ‘Sinographic Cosmopolis’ (漢字文化圈).

Ross King is also the author of a Korean language series: Elementary Korean: Second Edition, (Audio CD Included), Advanced Korean: Includes Sino-Korean Companion Workbook on CD-ROM, and Continuing Korean: Second Edition (Includes Audio CD) - all three published 2014 and 2015.

This lecture can be viewed on the Royal Asiatic Society Korea Branch YouTube channel - 

Thursday, February 8, 2018

The Royal Tombs of Joseon Dynasty

Jinny Hwang Inhee presented on the Royal Tombs of Joseon. She is an expert and has made an in-depth study of the Joseon Dynasty royal tombs, and in her expressive slide show she explained many of the characteristic features of the tombs. Jinny Hwang Inhee, a graduate from the Civics Education Department, Ewha Womans University, spoke in Korean and Kim Jaebum, a RAS Council member, provided English translation. Jinhee is a writer and an educator. Since 2013 she has been serving as President of the Durumari History Education Institute.

A write-up of her presentation is as follows: 

The Joseon Dynasty, the last period in Korean history before the Japanese annexation, was founded by General Yi Seonggye in 1392 and forcibly annexed to the Japanese Empire in 1910. While the dynasty lasted for 519 years, 27 kings and 45 queens reigned, including the last two with the title of “Emperor” with their empresses in the Daehan / Korean Empire. In all, 42 Joseon royal tombs including two in Gaeseong, presently North Korea, are preserved, virtually all that were built. The 40 of them located in South Korea are registered by UNESCO as a World Cultural Heritage not only for the aesthetic value of their sculpture but also for the entirety of their preservation. 
It is also amazing to note that the royal ancestral rituals jerye have been observed continuously for 623 years. The main Jeonju Yi family Jongyagwon had to overcome difficulties following the demise of the dynasty to continue the ritual at the graves, while that held at the main shrine of Jongmyo, which is now held once on the first Sunday of May each year, is also a UNESCO World Cultural Heritage.
JOSEON DYNASTY
  • last of the Korean traditional dynasties
  • founded by General Yi Seonggye in 1392
  • 27 kings & 45 queens
  • from 1392 - 1910, a span of 519 years
  • royal tombs - a graveyard exclusive for kings and queens
Joseon Royal Tombs
  • 42 tombs in total = 40 in South Korea + 2 in Gaeseong, present-day North Korea
  • the 40 tombs in South Korea are UNESCO World Culture Heritage, and they are protected for their aesthetic value and must be preserved in their entirety
  • all within 44 kilometers of Seoul, the capital
  • 2 in Yeoju, Gyeonggi-do
  • ? in Yeongweol, Gangwon-do 
  • Jongyagwon, for the main Jeonju Yi family
  • rites at royal tombs continued even during Japanese occupation
  • Jongmyo Jerye 
  • 1st Sunday of May each year
  • UNESCO World Cultural Heritage
  • continued for over 600 years
King or Queen Dies
  • establish gukjangdogam
  • place corpse in jaegung and keep it at binjeon
  • observe rites and mourn for 5 months
  • no preservatives or cooling facilities
  • cultivate juniper for incense
Constructing Tombs
  • select site
  • form mound and excavate 3 meters deep
  • make room for stones or lime walls
  • stone sculptures to decorate
  • build jeongjagak at entrance
  • erect hongsalmun gate 
(read more about tombs and their terms)
Burial and Rites
  • 5 months after demise
  • take soul in shinju back to the palace
  • rites in honjeon every morning and evening for 3 years
  • move shinju to Jongmyo
  • royal name, the myoho, is given
  • queen's soul to Jongmyo 3 years after king's death
Location and Feature
  • best location: big mountain to the north, low hills to the south, views to the east and west
  • features differ between each era based on:
  • state law
  • extent of royal power
  • political circumstances
  • economic conditions
  • topography of the site
Basic Structure
  • jaeshil at entrance
  • geumcheongyo bridge
  • baewi

Chamdo: Path for Worship
  • long stone path for hongsalmun
  • left: shindo - soul, tomb owner
  • right: eodo - lower status on up to ancestors
  • soul-tablet in yellow cloth on shindo
Staircases
  • left: luxurious patterns for souls
  • right: without ornaments for kings
  • down staircase behind the palace
  • soul to neungchim to fall quietly to sleep, no stairway to come down
Jeongjagak
  • exclusive for royal tombs (if at other tombs, people arrested and killed as traitors)
  • entrance and exit:
  • direction decided and must connect to chamdo
  • enter from the east: sunrise, beginning, birth, spring, etc.
  • leave toward the west: death, extinction
Smaller Annexes
  • subokbang - on right before jeongjagak; for tomb keeper and night duty
  • suragan - royal kitchen on left; prepare food and offerings
  • bigak - a little further inside and on the right; tombstone etching on whose tomb
Sachoji or Gang
  • hill behind jeongjagak
  • unique style of Joseon royal tombs
  • 2 meanings of gang:
  • tank for storing vigor streaming into the soil
  • demonstrate dignity as power
  • hiking precluded - somewhat open to the neungchim at the front
Museogin and Munseogin
  • stages divided by stones on top of sachoji
  • lower stage: museogin and maseok - have warrior-shaped generals with swords
  • middle stage: munseogin and maseok - have officials, most of whom are scholars
  • interpretation: "The pen is mightier than the sword" meaning literary preference over military 
  • reign continues posthumously
  • variations in garments by king:
  • museogin placed only in royal tombs
  • civilian graves considered treacherous
Neungchim
  • top stage - burial mound neungchim
  • gokjang:
  • walls and roof tiles surrounding 3 sides
  • sun, moon, stars
  • resemble palace buildings' back walls
  • royal tombs as epitomes of the palace
Seogmul and Honyuseok
  • seogmul - in front of gokjang
  • yangseok - sheep = obedience; repel evil
  • hoseok - tiger = loyal; patron neungchim
  • honyuseok - in front of neungchim
  • for offerings in ordinary graveyards
  • "stone where the soul plays"
Goseok and Mangjuseok
  • goseok - stones supporting honyuseok look like drums
  • guimyeon - faces of ghost or goblin
  • mangjuseok - on each side of honyuseok: "observing stone poles" with several hypothesis about their use:
  • sign for soul from body to find neungchim
  • device to harmonize yin and yang
  • instrument to hold vigor from being scattered 
  • columns a division between this world and the next
Seho and Jangmyeongdeung
  • seho embossed on stone poles
  • shape of ear with holes
  • developed into animal shapes
  • some not like tigers but wizards
  • jangmyongdeung to honyuseok
  • to pray for souls of the departed
  • shape altered in each era
Conclusion
  • scale gradually shrank - later kings were more pragmatic
  • initial period of the kingdom:
  • conscripted manpower 5,000 for each tomb
  • construction work - up to 5 months
  • mobilized personnel to carry food
  • construction bothered people
  • great agony on people in Gyeonggi where a large number of royal tombs have been built
  • their endeavor and perseverance enables us to possess World Cultural Heritage today
Books Published:




Other notes:
  • gukjangdogam - nation-wide royal funeral 
  • In inclement weather when the body began to smell, the court spread juniper branches.
  • 일월성신 - sun, moon, star decorations on the wall that surrounds the tombs
  • 선장릉 - When UNESCO came to evaluate the tombs as a future UNESCO World Culture Heritage site, the Korean government didn't want to show the 선장릉 because there was no body inside. Eventually they did and it was highly regarded, especially as it was on very valuable land.
  • The Silla and Koryeo Dynasty tombs were traditionally built on flat ground, but in the Joseon Dynasty, tombs were built on the top of artificial mounds.
  • Today, there are three places where royal ancestor worship are held - the dates:
  • 1st Sunday of May (solar calendar)
  • each ancestor's memorial day

Monday, February 5, 2018

The Seoul Olympics Hodori

On September 30, 1981 South Korea learned that its proposal to host the 1988 Olympics had been accepted. South Koreans went wild! And thus they began planning a very impressive opening to the games with precision to detail, and of course symbolism.

As in all Asian and Olympic games, a mascot is chosen and South Korea chose the hodori, their mascot from the 1986 Asian games, to be their on-going mascot in the 1988 Olympics. I've heard references to the mascot of the 1986 Asian games as actually being the hosuni, the female version of the hodori, but have been unable to prove or even disprove this. In any regard, hodori derives from the "ho", the Chinese character for tiger or horangi in full, and "dori" as a masculine diminutive; "suni" would therefore be the feminine diminutive.

Kim Hyun, then 35, was the designer of the hodori mascot for the '88 Olympics. And in the intervening 40 years, it has remained his most significant and internationally recognized design, although he has contributed many other designs that are also rather iconic within South Korea like those of "HiSeoul" and "T-money".

In designing the "hodori" tiger, the representative animal chosen, he was imagining the Amur tiger and thought to portray it as friendly and hospitable as tigers have often been portrayed in Korean legends and folk tales as well as being stylized in art with a quirky humorous demeanor. Tigers are extinct in Korea but less than a hundred years ago they were a real threat to citizens, and yet, Koreans have always had a kind of love-hate relationship with the tiger, which figures heavily in their folk stories and art, and the striped beast was both feared and respected, and so commonly tigers were verbalized as being humorous, brave and noble.

Symbols also present in Kim Hyun's tiger caricature are the five Olympic rings around his neck and the sangmo, the hat worn in pungmul which is traditional music that incorporates singing, dancing, drumming and even acrobatics. The sangmo hat had a long ribbon attached as it was whirled as the wearer performed. Therefore, Kim Hyun stylized the friendly tiger wearing a traditional hat with the ribbon curled into a "S" as a symbol of Seoul the host capital. In much of the Olympic hodori art the ribbon does not always curl in the S-shape as the hodori is characterized as participating in all of the sports at some point, but pay attention to the curl of the ribbon as it may represent the initial letter of the sport the hodori is characterizing.

Source
Source
In choosing the tiger as the representative mascot of South Korea, 4,344 entries were reviewed until the selection was narrowed to four  -- a rabbit, a squirrel, a pair of mandarin ducks (also very symbolic in Korea) and a tiger before ultimately choosing the striped fellow. The selection of name for the stylized-tiger-to-be generated 2,295 suggestions from the public before finalizing the name "hodori".

Eventually the 1988 Seoul Olympics would last 16 days, starting on the 17th of September in 1988 and lasting through the 2nd of October. During those days 8,391 athletes from 159 countries would compete in 237 matches of 23 events. Not only did South Korea host the Olympics and "put Korea on the map" but they also ate up the home turf and ranked 4th in the Olympics overall! This was a major success for a country that had been forced open only one century before, colonized by another country for 35 years, struggled with a civil war after colonization and then struggled with extreme poverty and a ravaged agricultural society for another two decades. South Korea had become industrialized, earned money, increased trade, exported more than it imported and had earned the right to hold their heads high and host the most famous of international games.

Yoon Tae-woong, the hoop boy
of the 1988 Seoul Olympics 
International visitors and people watching television were incredibly impressed by the grand opening ceremony of the games. But perhaps the most impressive scene to Koreans, I hear this over and over and this is three decades later!, is when the boy rolled a hoop across the stadium field. The boy is also called the hodori of the Seoul Olympics.

In July 1988 the Seoul Olympic organizing committee announced that they were looking for a boy to roll a hoop in the opening ceremony. The boy had to be cute for public broadcasting and had to have been born on the 30th of September 1981, the day that Seoul had been selected as the Olympic-hosting city in Badenbaden, Germany. One boy, Yoon Tae-woong, was selected among 24,000 kids as the hodori and he became the symbol of Korea rising from poverty to roll a hoop toward a better future. Yoon Tae-woong currently is pursuing a career in acting, but it seems that he will never achieve the interest of the nation as he did when he was "hoop boy". To see Tae-woong as "hoop boy" in the Olympics, watch The 24th 88 Seoul Olympic Games Opening Ceremony and refer to 1:20.5 to see his tiny moments of fame.

"Soohorang", a white tiger caricature, will be the mascot in the upcoming 2018 Olympics hosted by South Korea. The white tiger is the most famous, according to the Chinese zodiac, among all of the tigers. I'm sure he was chosen as a very augurous character.