Showing posts with label intangible cultural heritages. Show all posts
Showing posts with label intangible cultural heritages. Show all posts

Monday, January 1, 2018

Korea & UNESCO Intangible Cultural Heritage

Korea takes great pride in being recognized by UNESCO for its cultural heritage. As for right now, 1 January 2018, the UNESCO World Heritage Center lists South Korea as having 11 world heritage sites, 1 natural heritage site, and 16 more on the tentative list.

As for UNESCO Intangible Cultural Heritage in South Korea, at present there are 19 elements inscribed, one classified as ongoing (2018), and 25 on the backlog nomination list. 

19 Intangible Cultural Heritage elements inscribed:
2016: Culture of Jeju Haenyeo (women divers)
2016: Falconry, a living human heritage
2015: Tugging rituals and games
2014: Nongak, community band music, dance and rituals in the Republic of Korea
2013: Kimjang, making and sharing kimchi in the Republic of Korea
2012: Arirang, lyrical folk song in the Republic of Korea
2011: Jultagi, tightrope walking
2011: Taekkyeon, a traditional Korean martial art
2011: Weaving of Mosi (fine ramie) in the Hansan region
2010: Gagok, lyric song cycles accompanied by an orchestra
2010: Daemokjang, traditional wooden architecture
2009: Namsadang Nori
2009: Yeongsanjae
2009: Jeju Chilmeoridang Yeongdeunggut
2009: Ganggangsullae
2009: Cheoyongmu
2008: Royal ancestral ritual in the Jongmyo shrine and its music
2008: Pansori epic chant
2008: Gangneung Danoje festival
Jongmyo Jerye & Jeryeak ... royal ancestral ritual in the Jonmyo shrine and its music

Pansori epic chant ... with a story-telling singer and a drummer
perhaps this pansori singer is singing the famous Arirang, another intangible heritage

One on-going nomination (not inscribed so no links as yet)
2018: Ssireum, traditional wrestling in the Republic of Korea

25 backlogged nominations (not inscribed so no links as yet)
2013: Yeondeunghoe, lighting lantern festival
2012: Korea's programme for documenting intangible cultural heritage (ART18)
2012: Music of Daegeum and Piri, traditional Korean wind instruments
2012: Music of Gayageum, a traditional Korean string instrument
2012: Craftsmanship of Gat, men's horsehair hats
2010: Hakyeonhwadae-hapseolmu, the crane and lotus flower dance
2010: Hahoe Byeolsingut Tallori, mask dance drama of Hahoe
2010: Gyeonggi-do Dodanggut, tutelary rite of Gyeonggi province
2010: Bawijeol village funeral rehearsal play
2010: Naju Saetgolnai, cotton weaving of Naju
2010: Gasa, narrative songs
2010: Sagijang, ceramics
2010: Seokjang, stonework
2010: Jasujang, embroidery
2010: Chiljang, lacquer craft
2010: Gakjajang, calligraphic engraving
2010: Mokjogakjang, wood sculpture
2010: Yundojang, making geomantic compasses
2010: Wanchojang, sedge work
2010: Yeomsaekjang, dyeing with indigo
2010: Somokjang, wooden furniture construction
2010: Seonjajang
2010: Munbaeju, Munbae liquor
2010: Myeoncheon Dugyeonju, Dugyeonju liquor of Myeoncheon
2010: Gyeongju Gyodong Beopju, Beopju liquor of Gyodong, Gyeongju
a musician wearing a gat (horse-hair hat) playing the gayageum, a zither-like instrument

Wednesday, November 29, 2017

Lee Sang-geun, UNESCO Intangible Cultural Heritage No. 42

Lee Sang-geun is a traditional comb design artist, and a perfectionist. His painstaking work has been recognized since 2000 as having outstanding cultural significance and since that year he has continued to be recognized and awarded for keeping to tradition and exquisitely hand-carving wooden combs of various designs.
2010 - appointed as Wood Comb Master (Intangible Cultural Heritage No. 42)
2007 (October) - awarded certification for excellence in handicrafts by UNESCO
2007 (Nov) - invited by UN headquarters to hold an exhibition
2003 - appointed as a successor of Korean handicrafts (wood combs)
2003 - appointed as a successor of Korean ethnically special crafts
2002 - appointed as a successor of cultural tradition (No. 51) by Chungcheongnam-do
2000 (January) - published in National Geographic

A shop in Insadong is hosting a special exhibition with many spectacular works of art created by Lee Sang-geun. Normally people aren't allowed to take pictures of heritage artwork, but I explained to the lady running the shop that I am an anthropologist and write on things Korean, and then asked if I could spread the word about this incredible Intangible Cultural Heritage artist. (Intangible Cultural Heritage artist is also informally known as Living Cultural Heritage, confusing when trying to do accurate web research.) She allowed me to take a few pictures, and being thankful that she so graciously did so, I only took pictures of the combs, since that is what Lee Sang-geun is most famous for. 

However, he's a master carver of fans and other intricate art forms as well. In the shop he had on display spectacularly and intricately carved fans, which he had also hand-painted. Each fan represented multiple hours of work and one was valued at nearly a million won, as it should be! It was truly a masterpiece! 

With permission I share the following representative comb masterpieces:

Very old-style comb used by men and women after they had tied their hair in knots. The comb was then dragged through the tight hair, arranging each hair to lie smoothly with the rest. With the cutting of hair and hair not being pulled back into knots, these types of combs quickly went out of fashion.
A simple yet perfectly carved comb. Inscribed with Chinese and signed by the artist.
One of my favorite pieces in the shop - intricate giant lily pads carved with birds. Imagine the skill needed to carve such delicate detail and to create such rough texture for background and smooth foreground objects. This represents one of Lee Sang-geun's most unique carving styles!
So many combs on display. These particular ones were still priced at a couple hundred thousand won each, while the more intricately carved ones like the lily pads and birds above could be twice the amount.
Traditional decoration for the home. The eight-sided object represents the emperor (in Confucian times) while the fish symbolizes good luck and the string longevity. 

And a unique, non-traditional but fun idea - the traditional yutnori game played with, not the traditional sticks, but acorn-shaped wood pieces. I guess Lee Sang-geun wanted to put something for even the younger generation in his craft repertoire.

Saturday, May 14, 2016

Korean Yeongsan-jae, the "Vulture-Mountain Ceremony"

"The Korean Yeongsan-jae or literally “Vulture-Mountain Ceremony” is a religious performance-genre of its own, consisting of various arts such as music, dance, drama, literature and philosophy. It is rooted in classical Buddhism but has merged with diverse Korean traditions, becoming one of the most important and characteristic traditional Buddhist rituals in Korea. It was designated by the Korean government as Major Intangible Cultural Property #50, and since then Bongwon-sa, the "Phoenix-Origin Temple" and the main temple of the Taego Order (2nd-largest Buddhist sect), has taken the initiative to revive and maintain it; it was listed as one of the “Intangible Cultural Heritages of Humanity” by UNESCO in 1989.

Basically, this lengthy and colorful ritual is a re-enactment of a significant event in the career of Sakyamuni Buddha, called the Vulture Peak Assembly, in which he preached the famous Lotus Sutra. The main objective of this ceremony is to soothe the souls of the dead and lead them to be reborn in the Pure Land, but sometimes this ceremony is also held to invoke blessings for the security and development of the entire nation. In front of a large-scale scroll-painting of Buddha and an elaborate altar, offerings are made and various chanting, music and dances are also performed, including the well-known Cymbal Dance, Butterfly Dance and Dharma Drum Dance. In the past, the whole ceremony took three days and nights, but now it is usually finished in a single day. Through it, the deceased and the participants become one for the purpose of awakening the true dharma of Buddha and leading the way to free everyone from earthly suffering and delusion.

The ceremony takes place at Bongwon-sa, the beautiful "Phoenix-Origin Temple, which is isolated in the middle of the urban madness, tucked into a high steep valley on the southern face of Mt. Ansan." David Mason offers special insights on the ritual and its significance.



The following explanation makes the ritual clearer, especially as to why the leading monk for the ceremony asked everyone during the ceremony to remember the victims of the Sewol in their two-year anniversary since their harshly premature death; most of the deceased were children. 
"Yeongsanjae, literally meaning "Rites of Vulture Peak", is a Buddhist ritual performed on the 49th day after a person's death to comfort his or her spirit, and guide it to the Buddhist land of bliss. The ritual, known to have been performed since the Goryeo Period (918-1392), consists of solemn Buddhist music and dance, a sermon on the Buddha's teachings, and a prayer recitation. While it is an essential part of the Korean Buddhist tradition conducted to guide both the living and the dead to the realm of Buddhist truths and to help them liberate themselves from all defilement and suffering, it was sometimes performed for the peace and prosperity of both the state and the people." [Korea.net]

Saturday, April 9, 2016

The Jindo Miracle Sea Road Festival

Jindo island located just off the southwest corner of the Korea peninsula is a mystical island of folk art and music, traditional performance and the much celebrated surreal sea road which forms a 2.8 kilometer long pathway to an outer island twice a year. This mysterious walkway roughly 10-40 feet wide has been dubbed the “Korean Moses Miracle” and attracts Koreans and foreigners alike to see the mysterious phenomenon and walk its length.

The four-day Jindo Miracle Sea Road Festival in spring attracts about half of a million visitors every year, making it one of the three top festivals in Korea. The two other most popular festival events are the Mud Festival in July and the king of festivals, the Hwacheon Sancheonea (mountain trout) Ice Festival in January. For all of these, charter tour buses from various cities flow into these otherwise minimally populated areas, filling large pre-designated parking areas. Traveling by private car to any of these places during the festival season is one’s worst nightmare.

This year the Jindo festival opened on a Thursday, April 7, and concluded on Sunday, April 10. And because this year the lowest ebb tide of the Moses Miracle took place on the weekend, tour buses arrived throughout the weekend for people to see this once-a-year celebrated phenomenon. The most popular buses, however, were those that arrived in the early dawn of Saturday, in time for the Fire Torch Walk when thousands of people carry flaming gas-lit torches and walk into the sea on the appearing path that links Jindo to the distant Modo island. For those who missed the iconic Torch Walk, the sea parting occurred again at 18:20 on Saturday and 19:00 on Sunday. A few thousand even got up early Sunday and did the unofficially schedule sea path walk at around 6:40am.





Each of the sea path occurrences lasts about an hour, so if a person does get to Modo island, he or she will probably be stranded there or be forced to hire a local boat to ferry them back to the larger island.

The sea path is steeped in legend and, unlike other legends of long-long ago, the legend of Grandma Ppong and the sea path goes back to a precise date, the year 1480 when a man Son Dong-ji was condemned to exile on Jeju Island. As Son’s ship navigated to Jeju, a furious storm blew and shipwrecked him on the tip of Jindo island at a savage place called Hoedong, literally the “tiger place”, named so because of the numerous striped beasts prowling the area. Son stayed with the villagers and for the next 200 years his descendants lived in Hoedong until the area became so frightening a place to live because of the many tiger attacks that the villagers along with Son’s descendants built rafts and moved to the nearby Modo island.

Unfortunately in the move, a grandmother was left behind. In terror and loneliness Grandmother Ppong prayed to the Dragon King of the sea to be reunited with her family. Finally, in a March night dream the Dragon King appeared and told her the next day a rainbow would appear to guide her to her family. The next day on the rocky shore she prayed again and the rainbow bridge appeared, forming an arching path from Hoedong to Modo island. In her joy she ran along the rainbow path and collapsed into her family’s arms on the other side whereupon she praised the Dragon King for reuniting her and then died from exhaustion.



In filial respect, her family honored her for her tenacious faith in the Dragon King. Many locals still dance, stage shamanic rituals and have other performances to give respects to Grandma Ppong for her strong faith in the Dragon King. Particularly during festival season, the statue of her located at the narrowest expanse between now-Jindo and Modo is draped with ribboned wishes and prayers as she looks earnestly to the distant island. Another statue overlooking the head of the rainbow path is where Grandma Ppong kneels beseechingly while looking toward Modo; a snarling tiger statue is her companion.




Though a legend to some, many Koreans still put faith in the powers of the Dragon King and the faith of Grandma Ppong. Many come to pray for the well-being of family members, for wishes for their children, for prosperity and health. The local Jindo residents have a traditional celebration called Yeongdeungje in which they pray to Grandma Ppong and the Dragon King, their village guardian spirits. Unlike the more publicized Jindo Miracle Sea Road Festival which is only celebrated in spring, Yeongdeungje is held during the spring and fall sea road partings when the road is widest.

The partings are scientifically explained as tidal harmonics. Predictable by the lunar calendar, the phenomenon is controlled by the gravitation pull of the moon along with effects of the rotation and momentum of the earth. From a superstitious point of view, a mystical miracle occurs.

The Jindo sea parting is a family experience. Everyone can participate, and while mom is digging around for lunch, baby is quit dry and content to just be along!
Wearing gumboots and carrying a trowel and a pail or just a bag, Koreans are fully equipped to explore food for lunch: crabs, clams, abalone, stranded octopi, sea tangle and other sea delicacies are all fair game!
photo contribution by Nicola Hayne - adventurers feeling their way along as the tide continues to ebb
The Jindo Miracle Sea Road Festival didn’t stem from the prayers to Grandma Ppong or the Dragon King, but came about by the French ambassador Pierre Landy who was visiting Jindo island in 1975 to learn a bit about, some say the Jindo dogs and others say the local music. Why he actually went there is now unimportant for what he saw, Grandma Ppong’s rainbow bridge, he unintentionally immortalized in a French newspaper when he published his observation as the Korean version of the Moses Miracle and much like the Biblical parting of the Red Sea. After international awareness was raised, other foreigners wanted to witness the parting as well, and so in 1978 the sea parting festival was established.

Western foreign interest increased every year, until in 1996 Tendo Yoshimi, a Japanese pop star, sang the song “A Story of Jindo” describing the enigmatic water parting which ignited Japanese interest in the phenomenon as well, so then hordes of Japanese tourists flocked to Jindo every year.  

The Jindo sea parting miracle is not the only ebb tide sea road in Korea. In fact, about 20 others exist. Somaemuldo, the so-called “lighthouse island” off Geojedo, Gyeongsangnam-do has a rock-strewn path that appears regularly twice a day; then near Incheon a stretch of cement-paved walkway appears to connect Nuesan Island Lighthouse Observatory with the mainland, and nearby on Seonjaedo island a fairy-like meander of golden sand appears to bridge Seonjaedo to the tiny Mokseom island. More exist but none as long or wide as the Jindo phenomenon and none have yet had international exposure on such a grand scale to immortalize them as must-see tourist attractions.

Jindo island in its own right is a tourist attraction. At least five folk heritages have been listed as intangible cultural heritages with UNESCO—the ganggansullae, a circle dance performed by women; the ssitgimgut, a shamanistic ritual soul-cleansing of wandering spirits to resolve their earthly grievances; the Jindo dasiraegi, a performance for consoling people who have lost family members; the deulnorae, a farmer’s song; and samulnori, the play and dance to the beat of four percussion instruments. Two other folk heritages are listed by the provincial government as intangible cultural assets—the Jindo buknori, a traditional drum play with two sticks, and manga, the local funeral dirges. It can be said that much music and performance claims Jindo as their birthplace. And thus the Jindo saying, “When in Jindo, beware of showing your musical abilities” because the musical talents are high and broad.



Jindo, a place where anything is possible if connected to the sea.
These boats were part of a long boat procession that paraded for the Jindo visitors.
The mythical aura of Jindo is more than just legend, and gugak—Korean traditional music and performing arts—has rich history as well for near Jindo island is where brilliant Admiral Yi Sun-shin (1545-1598) fought with his famed turtle ships to defeat the Japanese fleet. It is also the island that the unfortunate ship MV Sewol sank near in its unfortunate maritime accident just two years ago. On a lighter note, the famed Jindo dog is of course taking its name from Jindo island; the animal is no highly regarded that it is esteemed as a national treasure. Accordingly, Jindo dog shows and performances during the Jindo Sea Road Festival are scheduled to highlight the dog’s superior intelligence and loyalty to its master.

And finally, if someone adventures to Jindo island, whether during festival season or not, a visit is said not to be complete unless one enjoys the local Jindo hongju, a 40% alcoholic drink made from whole grains, rice and jicho, a local medicinal herb extract. The bright red liquor, hence its name “hong” for red, is the only distilled red-colored liquor in the world, and it is said not to give someone a hangover the next morning. With that in mind, the visitor can enjoy the mystical flavor of the island while walking the sea path, listening to gugak or simply drinking the medicinal-herb liquor.

Korean traditional wrestling with professionals

After the professionals exhibited their skills, foreigners could participate. My friend and one other were the only foreigners of about eight who could "triumph" over the professionals. They brought with them Western wrestling tricks unknown to the Korean pros.


Published in Korean Quarterly, Vol 19, No 40, Summer 2016, p 49, 64-65.