Bank of Korea Money Museum

Bank of Korea Money Museum is in the heart of downtown Seoul and was a phenomenal find! I never even heard of the place, but when I was passing by and saw people walking out of elegantly old, stately building that smacked of government money, I took a closer look at the large "marble" sign in front. A banking museum?! I decided I had time to go in!

Anti-counterfeiting Efforts

Central banks and minting offices around the world make great effort to develop anti-counterfeiting devices in order to combat increasingly sophisticated counterfeiting techniques.

Before the 1990s - characteristic banknote paper or special printing methods were used, e.g. watermarks and micro lettering.

From the 1990s - 2000 -- Additional features like windowed thread, intaglio latent images, optically variable ink, and special presses and soldering were developed and employed.

From 2006 to the present -- With forged banknotes increasing due to technological advances in digital devices, color printers and scanners, new security features like moving images in a striped band and band-type holograms have been adopted.

Examples of counterfeit banknotes: top (counterfeit), bottom (authentic)

High-tech process for making the modern authentic banknote

Security thread, comber noil (the short fibers remaining when cotton is spun into yarn), and florescent thread are woven into acid-free cotton pulp paper undergoing durability-building processes.

The paper then undergoes a systemic series of printings to layer prints on top of intaglios on top of varying colors ...

And the same series of printings with colors, iridescent dyes, itaglios, etc is also on the back side.

Design Symbolism on the Korean Banknotes

Each of the four banknotes in Korea (W1,000 ... W5,000 ... W10,000 ... W50,000) are imbued with cultural symbolism. Who is the great respected person on each banknotes and what are the primary symbolisms employed? All banknotes have highly recognized pieces of great art or scientific learning -- art, architecture, astronomy -- and each select piece contains deep symbolic value, e.g. books for scholarship, pine tree for the uprightness of the scholar and an eternal symbol, certain plants for longevity, wisdom, blessings, wealth, and the continuation of a family dynasty through a son, clocks and ancient maps lauding scientific learning and great advancement, to name a few.

W50,000

FRONT (OBVERSE) VIEW

Shin Saimdang, one of the most brilliant members of the literati and a calligrapher and painter of the Joseon Dynasty, excelled at poetry, handwriting and painting. She is well-known for her "Insects and Plants", which reveal many traditional Korean themes imbued with cultural value.

"Insects and Plants" (Treasure No 595)

"Mukpododo"

BACK (REVERSE) VIEW

Lee Jeong's Poongjukdo and Eo Mongryong's Wolmaedo are among the most typical paintings of the mid-Joseon Dynasty, depicting bamboo and ume flowers, respectively.

 W10,000

FRONT (OBVERSE) VIEW

King Sejong the Great was the fourth king of the Joseon Dynasty among whose great achievements was the creation of Hangeul (the Korean alphabet). 

"Inworobongdo" (The sun, moon, and five peaks) symbolizes the king in the Joseon Dynasty, and Yongbieochaeonga (Songs of the Flying Dragon) was the first literary work written in Hangeul.

BACK (REVERSE) VIEW

Cheonsangyeolchabunyajido (National Treasure No. 228) is an astronomical map produced during the reign of King Taejo, founder of the Joseon Dynasty, showing the original astronomical view of our ancestors.

Hongcheonui is the celestial globe element of Honcheonsigye (National Treasure No. 230), an astronomical timepiece invented in the reign of Joseon's King Hyeonjong.

The Optical Astronomical Telescope in Bohyunsan Optical Astronomy Observatory is the largest reflecting telescope in Korea.

 W5,000

FRONT (OBVERSE) VIEW

Yi I (Yulgok) was a Confucian scholar and politician during the middle Joseon Dynasty. Ojukheon (Treasure No. 165) was Yi I's childhood home, the place of his upbringing. It was so named because it was surrounded by ojuk (black bamboos).

BACK (REVERSE) VIEW

"Insects and Plants" as appearing on the W50,000 bill is part of a eight-panel folding screen, painted by Shin Saimdang. Two more of the panels appear on the W5,000 bill: "A Cockscomb and a Frog" and "A Watermelon and a Katydid". 

W1,000

FRONT (OBVERSE) VIEW

Yi Hwang (Toeggye) was a Confucian scholar during the mid-Joseon Dynasty.

Myeongnyundang (Treasure No. 141) is the building in the Seonggyungwan where students were taught.

BACK (REVERSE) VIEW

Gyesangjeonggeodo (Treasure No. 585) is a painting of the seodang, where Toeggye stayed, and its surround scenery. It is one of the masterpieces drawn by Jeong Seon (Gyeomjae).

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Anyone can walk through the museum, but do pay attention that the second floor closes a bit earlier than the other floors (at 4pm). Reservations for a specific language guided tour are possible:

a high recommend!

Hallasan: Holy Mountain

(YouTube) Ascending South Korea’s Most Respected Mountain (4:34)

• Halla Mountain is a holy mountain based on folklore: 

• Halla Mountain functions as the Mother Nature of Jeju Island

• To climb the mountain one needs humility and respect, not just strength and perseverance, because even the spirits who visit her are captivated by her grandeur.

• Halla Mountain is South Korea's most spiritually divine mountain. Known also as Yeongjusan, "mountain high enough to pull the galaxy," which means it is high enough to draw the aura of the whole universe.

• Jeju Island was created by Seoulmoondae Halmani, a goddess who gathered clumps of earth in her skirt and then flung them into the sea creating Jeju Island and the largest flung clump became Halla Mountain, the holy mountain where 500 of her sons were placed. A group of rocks known as the 500 Generals on the Yeongsil Trail (on the southwestern part of the mountain) are the sons of Seoulmoondae Halmani. And according to legend, with the death of the goddess her sons turned to stone to eternally mourn the passing of their mother.

• The white deep on the mountain is the symbol of fortune on Jeju Island. On the deer the spirits descend to play on its back. 

• The mountain rewards those who respect her, and the traveler who climbs to the top of the mountain on a dark night and calls to the stars with heartfelt gratitude for their long journey, as legend has it, the person will be blessed with health and longevity.

The Many Names of Hallasan

Halla Mountain is a mountain steeped in folklore, and has a variety of names stemming from legends and circumstances:

Hallasan —  Han represents the universe, and la means "pull". Both words mean that the mountain is high enough to pull the universe. According to the old legend, if anyone were to climb up the mountain, see a star and call out noinseong (노인성), they could live a longer life.

Jinan —  The name represents a mountain that is located at the back side of a town and protects the town's residents. Jeju people called Hallasan Jinan because Hallasan blocked winds that were blowing from the Pacific Ocean and also protected the residents.

Dumuak — Dumuak is another name for Hallasan. The name represents the bold head mountain. According to a legend, a hunter accidentally ripped God's belly button. God expressed his anger by ripping off the peak of Hallasan. The remaining part of the mountain became Baengnokdam (백록담) and the ripped part of the mountain became Sanbangsan (산방산).

Wonsan — Wonsan became the name of Hallasan because the center of the mountain is the highest point and the mountain looks like a circular cone. On a very clear day, Hallasan is visible from the mainland.

Yeongjusan — Yeongjusan was believed to be a habitat for a plant species that made people immortal. According to a legend, immortal wizards of Korea used to live in Hallasan. They were immortal because of this special plant. Qinshi Huang wanted the plant to live forever and ordered his men to get the plant (200 AD).

Buak — Buak became the name of Hallasan, because of the peak of the mountain. The crater of the mountain looks like a big pond. According to a legend, a white deer used to drink the water here.

Jeju, Island of Samshinsan or "Islands of the Blest"

The extinct volcano (5850 feet of 1950 meters) which last erupted in AD 1007 dominates Jeju Island. Ancestry on Jeju is unknown, but a mix of indigenous Koreans, Chinese from the north, Malayans from the south, and perhaps Japanese from the east is likely. During Neolithic times a unique culture developed on the island, and legends speak of the great mountain being the dwelling place of a race of giants and various mountain spirits.

But what really made Jeju "known" to the world is based on a legend of mythical discovery. By the end of the first millennium BC, Jeju-do had entered the realm of Chinese mythology as one of the islands of Samshinsan, or Islands of the Blest, also called the Three Holy Mountains. These legendary isles were said to have the sacred fungus of immortality growing in great abundance. 

This sacred fungus was probably the Amanita muscaria mushroom, also called Fly Agaric, which figures prominently in the shamanic and religious mythologies of lands from far eastern China, India, and Siberia all the way to the Celts of Europe and the Laplanders of Scandinavia. Known as Soma in ancient India, this brilliant red mushroom with white spots is familiar to people of European descent because of its association with children's fairy tales, magical dwarfs, and the cape of Santa Claus.

Anthropological studies of the mythology and sacramental use of this potent psychotropic (vision-inducing) mushroom have shown its extensive associations with the emergence of proto-religious traditions throughout the world. (Readers interested in this fascinating subject should consult the writings of ethnobotanist Terence McKenna.) 

These hallucinogenic mushrooms were once found growing in the forests of Halla San, in the Yeong-shil or "Spirit Place" wilderness that is the ritual gateway to the sacred peak. One of the three Samshinsan holy islands was known as Yeongju, which is the first of several historical names of Jeju-do. Yeongju San, meaning "Mountain of the Blessed Isle," was believed by the ancient Chinese to form a sort of bridge between heaven and earth. At a later date, when the Milky Way galaxy was believed by Neo-Confucian societies to form the connecting link between the heavens and the earth, Yeongju San became Halla San, "The Peak That Pulls Down the Milky Way." This image of heavenly energy flowing down upon Jeju-do offers one explanation for the supernatural phenomena mentioned in the ancient myths of the island.

In the middle of the volcanic crater atop Halla San lies a small lake called Baengnok-dam, or White Deer Lake. Legends mention this lake as the abode of angelic presences and the site where benevolent wizards would descend to ride on white deer along the shores of the lake.

And some pictures of Hallasan taken at the National Museum of Korea, Hallasan Branch:

Jeju Island in painted glass in the domed ceiling of the National Museum of Korea, Jeju Branch

A collection of attractions and memories posted in the National Museum of Korea, Jeju Branch

Olle trail experience - the biking/hiking/touring trail that circumnavigates Jeju Island, National Museum of Korea, Jeju Branch

Map of the rocks of Jeju Island [Korea has quite the igneous record around the country, with Jeju, Ulleungdo, and southern coastal jagged shorelines attracting the most interest.]

Distribution map of the dang (shamanic shrines) of Jeju Island, National Museum of Korea, Jeju Branch

Some pictures at the peak of Hallasan with its crater quite full because of heavy rains the previous day. How lucky we were to see the water in a seasonally dry crater!

Coming out of the tree line and approaching the peak!

Looking back .... we're even above the clouds! What a feeling of space and surrealness!

Looking back as the clouds rise and what appears to be people keeping strides just ahead of the billows.

The crater of Hallasan!

A closer look :)

The descent .... wish we could have taken pictures of the three roe deer we saw! We probably wouldn't have stopped to look for them if we hadn't heard their barking which sounded like loud, terrified injured dogs!

The onmipresent beggars at the peak and at the rest stations.

Crows will eat anything. I fed these guys walnuts, the only thing I hadn't yet eaten on the trip up. These guys seemed quite happy ... a bunch of beggars, and demanding ones at that!

Candid shot of a greedy sucker!

Korean Stone Art Museum: Symbolism and Stone

The Korea Times - March 25, 2016

Asiana, Monthly In-flight Magazine - November 2016

Korean Heritage (web site)

At the Korean Stone Art Museum, all of the stones represent not only cultural art of the past but the symbolism of life beliefs as well!

Muninseok – stone figures representing Joseon literary officials. They are attired in official robes and winged hats or golden headgear (depending on statuary) and carrying a hol (an object held by courtiers when granted an audience with the king). These official garments were worn by courtiers when they participated in national occasions like the king’s wedding and in the national rite for worshipping the late kings and queens of the Joseon Dynasty. During the Joseon era, a pair of stone officials was placed in front of a royal burial mound to serve as guardians of the king’s tomb, along with janggunseok and other animal-shaped stone sculptures similarly symbolizing protection of the graves against evil spirits.

Janggunseok – stone statue of military officers equipped with armor, a helmet and swords. Janggunseok and muninseok were placed in the foremost position in front of the grave mound of the king and together with animal-shaped stone sculptures they guarded the king against evil spirits. The demonic faces often engraved on the hilt of their swords and on the guardian’s shoulders represents warding off evil spirits and providing protection.

Dongja – “child attendants” were placed at a tomb of a person of exalted social class and were believed to serve as messengers of the gods. Therefore, these messengers each held or carried wish symbols—e.g. lotus flowers for prosperity and longevity, a bat symbolizing happiness and fertility, a fan for warding off evil spirits and bringing good fortune. Prayers to the dongja were believed to be realized.

Inside is a Hill of Prayers with a collection of dongja, each having a representative symbolic message

Outside is another dongja collection, with each dongja playing or participating in some mode of daily life—e.g. holding traditional instruments, holding kitchen utensils or playing traditional games. These instrument carvings are also seen on beoksu.

Dongjaseok (not to be confused with dongja, the child attendant) is the stone figure of the dongja. Found in and around Seoul, these sculptures were placed before the graves of high-ranking government officials or members of the royal family, except of high-ranking kings and queens, during the 16th – 18th centuries. Wearing plain clothes at times and other times cloaked in heavenly robes and double-knot hairdos, they were believed to connect the world of the deceased with that of the mourners. They stand obediently and submissively in front of the graves.

Dongja were deemed to serve various gods in Taoism, the Buddha in Buddhism, and the occupants of the graves in Confucianism. Therefore, the shape and role of dongja vary from grave guardian to village guardian, depending on the religious thought. The early child attendant images were highly decorative and vibrant as shown by Buddhist works, but they were gradually superseded by simpler and more austere images under the influence of Confucianism. The statues were often combined with muninseok, or stone statutes of civil officials, after the 17th century, resulting in the disappearance of their original characteristic features.

Beoksu – the stone version of the wooden jangseung (yin and yang guardians), which were placed at the entrance of a village as guardians to frighten away demons and ward off evil spirits and illnesses from penetrating the community. Since beoksu were thought to possess superpowers that could bring good fortune and prevent troubles, people prayed to them in the hope of making their wishes come true.

Though beoksu drove away evil spirits, they did not have a scary look, nor did they have a standard appearance. Various forms with candid and often humorous faces reflected people’s traditions and regional beliefs and practices. 

Some beoksu held pipes as the pipe is a symbol of tranquility and prosperity. And there is the legend of the manpasikjeok, a pipe from Silla, in which people believed that, once the pipe was played, the country would not experience any conflicts. Similarly, playing the pipe was believed to subside waves, a belief also dating back to the Silla Dynasty. Other beoksu had turtles carved on them; in folk belief and Taoism the turtle symbolizes good health, fertility, and longevity and so is one of the 10 traditional longevity symbols. Others held a crane, another longevity symbol and also with auspicious indications, a sickle symbolizing harvest and abundance. or a sword, the symbol of protection. Others simply had a house carving on them, the nest of prosperity and representing the microcosm. During the later part of the Joseon Dynasty, as the incidence of smallpox worsened every year, people started to have a folk belief that beoksu, a Korean traditional totem post, would keep them away from smallpox. Some beoksu even had the character ho(虎) for tiger carved on them, which embodied the villagers’ wish for good health. 

Each house had a carved beoksu, a Korean traditional totem pole, signifying the prosperity of a village community. Beoksu stones are representative of the common people and therefore were more carefree and humorous, and often representative of the character of the regions where they were carved.

Jangmyeongdeung – a stone lantern was placed to light up a graveyard. Its spiritual function for the deceased was to pray for eternal life and enlightenment in the heaven. According to Joseon dynasty (1392 – 1910) law, only high-ranking officials were allowed to place the lantern at their grave mounds. Symbols appear on the sides, e.g. a bat symbolizing happiness and fertility, a cloud for immortality and abundance.

Mangjuseok – stone pillars placed on each side of a grave

Hamabi – dismount markers. Markers such as this one, which commanded “all officials to dismount from their horses” as a show of respect, were placed at the entrance to a palace or the royal ancestral shrine of Joseon Dynasty. Depending on their rank, officials were required to dismount at a specific number of paces before the entrance, e.g. senior officials were required to dismount 10 steps before it, mid-ranking officials 20 steps, and low-ranking officials 30 steps. 

Prayer for rain stone – a dragon-engraved stonework used in rain rituals. As dragons were symbolically portrayed as the “god of water” in many Eastern cultures, precipitation rituals were held in the presence of a dragon-engraved stonework or in front of a dragon-shaped rock or well.

Stone Buddha – the statue of Buddha made by civilians showing austere and natural beauty

Deva King (Vajradhara) – one of the guardian deities in Buddhism, usually positioned to the left and right of temple gates to repulse evil spirits

Picture Credits:

While I took many pictures while at the Korean Stone Art Museum, I didn't get a representative shot of all of the categories listed above, so to be consistent in providing example pictures, I've only posted picture carefully clipped from the Google Arts & Culture collection for the Korean Stone Art Museum, so all photo credits go to them.

About the collection, it was first launched under the name of the Google Art Project on 1 February 2011, with the goal of collecting high-resolution images of artworks housed in partner museums around the world and creating a cyber platform with "walk through" features, providing information on galleries and artworks. By April 2012 the art project platform had signed agreements with 151 museums in 40 countries, and in 2016 the Korean Stone Art Museum was added to the online digital collection. As of the end of December 2018, 45 museums in Korea have had representative collections digitalized and posted on the Google Arts & Culture collection, the revised name the Google Art Project. The Korean Stone Art Museum is one of these 45!