The Legend of Princess Hwangok
The placard that gives a synopsis about the mermaid is a
cultural comparison to another famous mermaid statue.
I’m always perplexed why
a culture would want to compare their own culture to another to the extent that
Korea does; it’s almost like Koreans want to be seen as famous, as credible and
as historically great as other cultures, but in their comparisons, they come
across as having an inferiority complex. And by comparing themselves to something
so famous, they put themselves into second-class citizen situations. Korea is unique
with a rich history all its own, so the cultural marketing should be to reflect
the peculiar differences in Korea to make people want to see and experience
something original, exotic, and other-worldly, not something that’s an imitation
of something Western of all things. Korea is an Eastern society (which I find very fascinating in its rich Eastern-Western differences), and therefore,
with its distinct characteristics, it can market those singular attributes and be very viable in doing so!
Anyway, the mermaid statue is a representation of Sea
Princess Hwangok (Topaz), who gazes into the open sea from the point of
Dongbaekseom Island off to the west of Haeundae Beach. The sea princess came
from the land of Naranda, a mythical sea kingdom of mermaids and tritons, to
marry King Eunhye of Mugung, another legendary kingdom. However, estranged from
her beloved Naranda where mermaids danced in the waves and dove deep below for
pearls and shells, Sea Princess Hwangok missed her home-sea and so the waxing of every moon when her heart was at its heart-breaking fullest, the princess would sit
on a rock and mourn the loss of her homeland while clutching a topaz bead given to her by her
mother-in-law.
Right after I came to Korea (April 1991) a bunch of friends and I visited the mourning Sea Princess Hwangok. |
In reference to the legend, the mermaid princess was
installed on the rocky shore of Dongbaek Island in 1974. However, after a
particularly powerful typhoon in 1987, the statue was destroyed although the upper body
was recovered and now is kept in the Busan Museum. Then in 1989 the 2.5m bronze
replacement weighing 4 tons was installed on the escarpment, where she still
sits in mournful silence clutching her topaz bead.
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